Together
… the river still glinting-up into its handfuls, heapings.
glassy
forgettings under the
river of
my attention –
and the river of my
attention laying itself down –
bending,
reassembling – over the
quick leaving-offs and windy
obstacles –
and the surface rippling
under the wind's attention –
rippling over the
accumulations, the slowed-down drifting
permanences …
Jorie Graham
In the old days there were
sixteen bodhisattvas. When it was time to bathe they got into the bath
together.
Suddenly they realized the cause of water and said, ‘This subtle
touch releases the brightness ...’
Blue Cliff Record Case 78
I pull out armfuls of onion grass, cocksfoot, Yorkshire fog, fireweed from among the close-growing aloes and ground-cover succulents planted close to the house as ember traps. The long-term forecast is for a rainy summer but still we prepare for the turn that can come with a few days of dry heat and wind. One of the fire pumps has seized beyond T’s capacity to cajole it, and he takes it to W, genius self-taught mechanic, who in his eighties loves to solve a problem as much as he always did, and has ever more experience to call on.
Insects of all kinds are out now – flies, mosquitoes, hoverflies, moths. Bumblebees and honeybees and tiny native bees work the flowering plants, and the leaf-axil nectaries of both local and introduced trees. Cabbage white butterflies chase off interlopers from territories that take in the last of the cauliflowers and broccoli, while Australian admirals zigzag over nettle patches under the windbreaks. Partnerships of insects and plants go back very far.
Out in the world, the latest megalomaniacs flex for one another, flattening cities. My attention shifts back and forth as if near and distant, chronos and kairos, texture and abstraction were dualities, as language sets them up to be. But underneath and through all of it, something encompassing carries everything along. And through the trees, down in the valley I can see as stretch of the actual river, so often called on to stand in for this flow, as it goes its way, clear or tannin-stained or muddy, swelling with the tide and with rainfall and snowfall and water released from the hydroelectric catchment far upstream. The river’s surface is ruffled or still or streaked white and black by wind. All of this to say it’s all both/and, always – detail and vastness, the idea and its materialisation.
www.pacificzen.org.
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